![]() Flawless using the same context of MIDI control and sync, but the device itself works completely different from a typical guitar pedal looper and may not be what one expects, wants or needs. I also use the EHX 45000 at every gig with MIDI Sync. I had to move it to my floorboard for direct control, which is always robust (and which meant longer cable runs). With this effect, each new note or chord is rephrased into a repeating rhythmic sequence. All loops, overdubs, and settings can be saved and recalled later using the pedal’s 16 user presets. Here is a quick performance using Microcosm’s phrase looper and the Seq A preset. It was reliable I'd say about 98% of the time, but then every once in a while it would ignore commands and even go into a stuck state. When you’ve found a sound you like, the built-in stereo phrase looper can capture up to 60 seconds of your performance and even allows for layering phrases from different effects. I used to have the Infinity in a rack and I would control it with buttons dedicated to its functions on a Liquid Foot MIDI controller. The pedal itself is a unique take on a delay, reverb and looper effect. I've stopped worrying about it now.Īlso, the MIDI commands can misbehave. Finally you can store the loops and settings in any of the pedals 16 user preset slots. ![]() Until I got the Molten Voltage TEMPODE to be my master clock, I was always on the alert that the Infinity was going to go haywire. There’s a built-in stereo phrase looper which can capture up to 60 seconds of your performance. You can dial things back on the Microcosm to just use a standard delay, standard loop, or a pretty normal reverb. Just my experience with the Infinity (I use one at every gig with MIDI sync), overall it is a great unit, but has little tolerance for MIDI clock that isn't rock solid. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |